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 The Importance Of Being Ernest - a Calico - McCoy Production

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Join date : 2013-10-13

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PostThe Importance Of Being Ernest - a Calico - McCoy Production

The Importance Of Being Ernest - a Calico - McCoy Production Readin11

Whether being loquacious or just plain annoyin’, Hannibal Heyes and Kid Curry are about to find out The Importance of Being Earnest – A Calico-McCoy Production.


Pete Duel as Hannibal Heyes
And Ben Murphy as Kid Curry
The Importance Of Being Ernest - a Calico - McCoy Production Pete_a10

Guest Starring

Jon Walmsley as Jack
The Importance Of Being Ernest - a Calico - McCoy Production Jon_wa10

Mary McDonough as Cecily
The Importance Of Being Ernest - a Calico - McCoy Production Mary_m10

Michelle Carey as Gwen
The Importance Of Being Ernest - a Calico - McCoy Production Michel10

Slim Pickens as Sheriff Butler
The Importance Of Being Ernest - a Calico - McCoy Production Slim_p10

Pernell Roberts as The Slicker
The Importance Of Being Ernest - a Calico - McCoy Production Pernel10

The Importance Of Being Ernest
A Calico-McCoy Production


The camera pans the street of an entirely nondescript town.  Zooming in, it focuses on a small building announcing; Leadville Courier.  The door opens.  Out steps a slim, dark-haired young man.  His serious dark eyes scan the street from behind wire-rimmed spectacles.  We see what he sees, namely, a gingham-clad young woman heading towards the white-washed school house.  He sets off at a run to intercept her.


Cecily turns.  He joins her at the bottom of the school steps.

“Hello, Jack.”

“Cecily, y’know the church picnic this Sunday – do you want to go?”

“I am going.  I’m organising the children’s races.”

“I mean, may I – escort – you?”

“Oh, Jack, I don’t think so.”

His face falls.

“I shall be happy to see you there, of course,” she consoles him.

“But we’ve been keeping company for over a month.  I thought we had an understanding.”

“That was before…”  She glances down at a newspaper clipping she holds.  She blushes.  “Jack, you’re a good, good man, but...”

“But, what?”

“A girl has ideals.  And you’re not – ideal.”

“Well, who the Sam Hill is?”

Her blue eyes fall once again to the clipping.  “Someone like – Ernest,” she murmurs, shyly.

Cecily unfurls a coiled rope and begins to toll the school bell, cutting off anything further Jack might have to say.



Two dusty figures, hats drooping disconsolately, ride into town.  Weary blue and – if possible – even wearier brown eyes scan the notice on the clap-board building declaring itself to be the sheriff’s office.  They focus first on the town name: Leadville, then -- a hint of wariness added, alliteratively, to the weariness -- on the moniker of the local lawman: Lane Butler.  A relieved glance is exchanged.  We gather this Butler fella is a stranger.

As our boys dismount by the town horse trough, and pump cool water over sweat-drenched bandannas, a grizzled man emerges from the office and watches, thoughtfully.  Kid Curry, with a barely perceptible head gesture, directs his partner’s attention to this fact – and to the star glinting on the watcher’s vest.  Heyes, after mopping his neck, drapes a freshly drenched bandanna around his brow.  He eyes the lawman, who is now coming over.

“Trouble?” asks Curry, quietly.

“Don’t think so.  Just professional interest.”

“His isn’t a profession we like takin’ an interest in us, Heyes.”

The sotto voce conversation ceases as Lane Butler strides into earshot.

Unnoticed by our boys, they have a second observer.  Jack – who we saw earlier being turned down like a bedspread by the schoolmarm – leans on the rail fronting the newspaper office and, with mild interest, surveys the unfolding scene.  His brown eyes rest first on Kid Curry, then, narrowing a tad as his interest notches up from mild to moderate, on Heyes.

“Howdy, Sheriff,” Heyes greets the lawman.

“Howdy.”  Butler nods at the horses quenching their thirst at the trough.  “Looks like you’ve had a hot ride.”

“Sure have,” agrees Curry.

“What brings you to Leadville?”

“Just passin’ through.”

In the background, Jack’s lips purse, thoughtfully.

“We’re looking for work,” adds Heyes.

“What kinda work?”  The sheriff’s eyes drop, noticeably, to the partners’ tied-down guns.

The scene’s single-member audience makes the same observation.  Was that a nod?  Maybe.

“The peaceable, law-abidin’ kind.”  Kid Curry smiles the blue-eyed smile of the innocent.

His partner shoots him an annoyed look.  “Any kind that pays real well and isn’t too hard on the back.”

A wry grin from the lawman.  “I don’t reckon you’ll find that kinda work round Leadville.  If you do, let me know, son, I’ll go sign up.”

An acknowledging shrug from Heyes.

“What about the ord’nary kind?” asks Curry.  “Breakin’ sweat twelve hours a day for the price of room, board and a couple of beers.  Anyone hirin’ for that?”

“Not in town.  But the railroad’s working out in Eagle Vale – less’n five miles east of here.  Could try there.”

The ex-outlaws exchange a mute conversation, redolent of their distaste for the whole business of hewing of wood, hauling of water and general getting of bread by the sweat of their brows.  Shrugs and sighs indicate a familiar lack of choice.

“Thanks,” grunts Kid Curry, ungratefully.

“More’n welcome.”  The sheriff touches his hat and strides away.

The boys watch Butler return to his office.  As the door closes behind the sheriff the shoulders of the two ex-outlaws noticeably relax.

“Did I just say we were gonna take railway jobs?” says Curry.  “Because – that don’t sound like us.”

“Nah, you never said that.  You might have given him that impression – but you never said it.”  Pause.  “’Course we could go take railway jobs.”

A look from Curry.

“I’m not saying we should.  Just saying we could.”

More look.

“I’m not saying it sounds good – but it might beat wearing dust, sleeping on the ground and wondering what grass tastes like.”

And still more look.

“I’m not saying it’s not a close call, Kid…”

“For someone not sayin’ stuff, you sure are…”

“Loquacious?” finishes Heyes.

“I was goin’ for annoyin’.”  Ignoring the chagrin on Heyes’ face, Curry pushes back his hat and stares at a set of batwing doors.  “I’m gonna get me a cold beer.  And a hot meal.  And don’t tell me we can’t afford both.”  Without waiting for an answer he strides towards the saloon.

Heyes rummages deep in first his vest, then his pants’ pocket and looks at the pitiably small number of pitiably small coins this search yields.

“We can’t afford neither,” he mutters, as he follows.

Their inconspicuous observer, Jack, peels himself off the rail and also heads toward the saloon.



“Two beers.”

A be-whiskered barkeep surveys the trail-begrimed Kid Curry.  He removes dust the ex-outlaw has deposited on his well-polished counter with a flick of his cloth.

“Beers are ten cents apiece.”


“Upfront.  Hey, fella!”  The barkeep’s attention switches to Heyes.

Heyes’ innocent brown eyes blink.  His not-so-innocent slim fingers cease their entry into a jar of hard boiled eggs.

“Those are for paying customers.”

“I wasn’t going to eat…”

“Is it..?”

Heyes’ practised introduction to his egg-balance ploy is interrupted by a cry from the far end of the bar.  It is Jack, who watched the boys out in the street.  He points at the dark-eyed ex-outlaw, radiating eager recognition.

Heyes and Curry freeze.  They radiate…  Well.  Of all the reactions they can encounter, it is pretty clear ‘eager recognition’ is close to bottom of the list.

“It is, isn’t it?  I know who you are.”  To the barkeep.  “D’you know who this is?!”

Curry unobtrusively pushes back his jacket, gun hand hovering.

“You might have me confused with…”  Heyes obtrusively limbers up the silver tongue.

Ignoring the protests, Jack approaches, arms outstretched in welcome, utter delight wreathing his youthful features in a wide smile.  The gush of cordiality gives both ex-outlaws pause.  At any rate it gives the silver tongue pause.

An affable hand lands on Heyes’ shoulder.  “Everyone – listen up!  This here is…”

Heyes’ eyes widen.

Curry’s fingers twitch.


The Importance Of Being Ernest - a Calico - McCoy Production Drinki10

A ripple of excitement runs through the saloon.  More than a ripple of confusion runs through two ex-outlaws.

At only a single table – way back in a dimly lit corner – is the excitement other than joyful.  A slicker in a fancy vest and a fella who might as well be wearing the label ‘sidekick’ react to the name.  They exchange a mute conversation.  Ernest?

Back at the bar Heyes’ hand is thoroughly pumped.  “Don’t pretend you don’t recognise me.”  To the crowd: “It’d be something if Ernest didn’t recognise Jack Werthen, huh?!”  

Amused laughter.  Admiring looks at Heyes.  Friendly hands reach to pat his back.  Folk gather.

“I told everyone about what you did, Ernest.”

Heyes exchanges a look with Curry: ‘What the heck?’ and risks a smile at Jack.

“You’re a hero, Ernest,” pipes up an old-timer.  “I’d like to shake your hand.”

His wish is granted by a bemused Heyes.  “You might be mixing me up with…”

“I’d like to buy you a drink, Ernest,” interrupts one fella, elbowing aside Curry to take a turn on the hand shaking.

“I’d like to buy you dinner, Ernest,” tops a second.

Heyes shuts up.

“No one hasta buy Ernest anything!” beams the barkeep, handing Heyes a foaming beer.  “Anything for him is on the house!”  To his aproned assistant: “Bill, make up the best room in the house for Ernest.  And tell Mollie to get a steak dinner with all the trimmings out here.”

“Ernest,” Heyes meets the dewy, adoring gaze of a lovely redhead.  “What you did…”  Her bosom heaves.  Heyes drags his gaze back to her face.  “I think you’re the most wonderful man in the whole world.”

“Oh, I dunno,” says Heyes.  “It was nothing.”

Kid Curry blinks as he is jostled away from his partner, by folk overcome by admiration at Heyes’ modesty.  The piano player strikes up with ‘For he’s a jolly good fellow’ and a dozen throats take up the tune as a dark-haired ex-outlaw is physically raised aloft by a host of adoring arms.

As Curry watches Heyes hailed as the hero of the hour, his reaction is… Well, suffice it to say, with two possible exceptions, he is the least jubilant customer in the place.

The raucously singing barkeep notes Curry’s silent glower.  He breaks off, to ask, pointedly, “You got some problem, fella?”

“Er – no.”  Decisively: “I’m with Ernest!”

“Is that right?”  To Heyes: “Hey, Ernest! Is this other fella with you?”

“Huh?  Which other fella?”  Peering through the admiring throng, Heyes scans Curry, consideringly.

The Kid glowers, then – as he notes the crowd’s reaction to an ‘Ernest’-directed scowl – schools his features into a smile.  “Fo-or he’s a jolly good…”

Cheshire cat satisfaction dimples Heyes’ cheeks.  “Him – oh, yeah, that’s Thaddeus.  He’s with me.”


“Tell everyone how you did it, Ernest,” begs the enamoured redhead.  She sits foremost among the group around Hannibal Heyes, watching, adoringly, as he shovels a forkful of potatoes into his mouth.  All eyes are on their hero.

“Yeah, tell us how you did it,” Curry encourages as, across from his friend, he saws a chunk off his steak.  He is rewarded with a glare from Heyes.

“Well,” Heyes puts down his silverware and makes eye contact with Jack.  “It happened a while back…”

“It was only Thursday,” comments a young cowboy.

Curry eyes his partner.  A brow lifts.

“Yes, but…” Heyes pauses, ostensibly to add a touch more mustard to his plate.  “It started a while back.  Thursday was only the – the…”  Chewing.

“Culmination?” suggests Jack.

“Exactly!  The culmination.”

“Yeah, Algy!”  The barkeep glowers at the young cowboy.  “What happened this week was only the … You don’t think it just happened do ya?”

“I only meant…”

“Hush up!”  The youngster is shushed by Jack.  “Let Ernest talk!  After all, he can’t stay long in Leadville.”

“No, I…” Heyes blinks.  “I can’t?”

“An important man like Ernest – he has places to be.”

Heyes opens his mouth as if to protest, but is forestalled by the rapt redhead edging her chair even closer.

“Do you really have to leave, Ernest?”

“Well, Gwen…” begins Heyes, squeezing her hand.

“I think you’re the bravest man I ever met.”  Tawny lashes flutter.

“Aww.  What I did – it was nothing, really…”

Murmurs of protest.  Curry rolls his eyes.

“Like I said, it started a while back in - er…”

“In Bunbury Falls,” Jack supplies.

“In Bunbury Falls,” Heyes confirms and the gathered crowd nods.  “I – er …”

“Found out what that snake was plannin’ for Leadville!” spits one fella.

“He was gonna rob us blind!”

“That snake!  That – that…” Gwen cannot find the words.

Heyes can.  “Snake!  He was gonna rob you – you good folk, you fine folk, you honest folk.  I wasn’t about to let that happen.”

“Then when you found out ‘bout the orphanage,” the barkeep interjects.

“That was the last straw!  Who wouldn’t want to do something when they found out about the orphanage?” Heyes asks.

Heads nod.  Muttered agreements.

“So of course I had to do something.”

“Because it would have closed if you hadn’t,” Bill reminds everyone as he removes Heyes’ empty plate and sets a piece of pie in front of him.  “And them not gonna get a penny piece for the land!”

“I couldn’t let them close the orphanage,” says Heyes, solemnly.  “There comes a time when a man has to step forward.  Stand up.  Make himself known.  Rise above others.”

Curry rolls his eyes and scoops up a spoonful of pie.

Heyes thrusts out his chest and grasps the lapel of his jacket an uncanny echo of a presidential portrait on the wall.  “A man has to do what a man has to do.  And I did it.”

“You sure did.”  Gwen flutters her lashes at him.

“I sure did.”

“I just wish I could think of some way to thank you.”  She leans forward on the table, letting her emerald boa fall aside to give him an idea of the extent of her – gratitude.

Heyes returns her smile enjoying the view.

“How did you find out what ol’ Oscar was doin’?” Bill asks.

Heyes ponders this.  How did he find out?  “That’s a good question.”

“You must have done some real good investigating,” the barkeep surmises.

“I did.  I knew…”  His voice trembles with emotion.  “For the sake of those poor little orphans I had to find out what ol’ Oscar was up to…”  Angry face.  “That snake!”

“And you did!”

“And I did.”

“Didn’t take no for an answer.”

“No sir, not me.”

“Not Ernest!”  Shouts of approval.

“Get Ernest another beer!”

Heyes smiles.

“And one for – er – his friend, whatshisname.”

The Kid smiles.

Unnoticed above the hubbub, the non-delighted slicker and his non-delighted sidekick exchange a knowing glance.  The slicker angles his head towards the door.  In unison they drain their glasses and leave.



An ex-outlaw shaped lump beneath a patchwork quilt rises and falls, rhythmically.  A mop of blond curls on the pillow allows easy identification.  The second bed in the room is empty.  The door creaks open.  Like lightning, the Colt is drawn from a holster hung on the bedpost and points at… A barefoot Hannibal Heyes, boots in hand, tell-tale emerald feather caught in his rumpled hair, tiptoes into view.  Kid Curry grunts, holsters his gun and burrows back under the quilt.



“Sure is a nice town.”  Curry leans back on the bed, places his hands behind his head and settles back against the pillow.

“Generous too.”  Heyes pours water into the wash stand and picks up his shaving brush.

“Very generous.”  Curry grins at a smudged cupid’s bow of lip rouge adorning his partner’s cheek.

Heyes beginning to lather his face in the mirror, sees it, blushes and smothers it in soap.  “I wonder what Ernest actually did,” he ponders.

“I wonder who Ernest actually is.”

“The man who stopped the folk of Leadville being robbed blind.”  The razor makes its first swipe.  “And saved the orphanage.”

“You should feel real proud of yourself.”

“No, Kid.  Ernest is always humble.”  Heyes voice muffles as he tackles that tricky area under the nose.  “Which isn’t always easy…”  Scrape of razor very carefully.  “What with me….”  Careful.  Careful.  “…I mean him – being a genius, having nerves of steel and not knowing the meaning of fear.”

Blue eyes focus on the smooth-jawed man.  Blue eyes roll.



Heyes and Curry leave the town café.  They pat their bellies that are evidently replete both with good food and further admiration from the motherly proprietor and her pretty waitress.  Both ladies escort Heyes out the door and linger to watch him stroll along the boardwalk.  Heyes brims with self-importance and Curry appears happy to fill the role of man-who-knows-someone-famous.  The stroll is slowed by Heyes having to stop and glad-hand passing town folk.  He receives several pats on the back and even the gift of a cigar.

The Importance Of Being Ernest - a Calico - McCoy Production Walkin10

From his position outside the newspaper office Jack Werthen watches this progress.  He squints up at the sun, high in the sky.  He checks his pocket watch – past noon.  His lips press together in frustration.  He gazes down the street, reacts.  The slicker and his sidekick from yesterday are still there, also watching our boys.  Except… A quick count.  There are now four!  And the new additions – they look mean.  They are not doing anything, but, everything about them suggests ‘biding our time’.  Jack’s dark eyes drop to the tied-down guns of the newly-arrived heavies; his brow knots.



Out of earshot Heyes is regaling a fascinated couple with his humbleness.  In earshot – unfortunately for him – Kid Curry is forced to listen.

The couple leaves.  Our boys are finally alone in the street.  Unnoticed by them, in the background the slicker straightens; his companions set their shoulders.

“Ernest!  Ernest!”  Jack Werthen hurries towards Heyes, accompanied by Cecily clutching a sheaf of paper.

The slicker stops his henchmen with a glance.

Heyes and Curry tip their hats to Cecily.  There is a pause, they look enquiringly from the primly dressed schoolmarm to Jack.  Cecily nudges Jack.

“This is Miss Cecily Steadman, our schoolteacher,” he says.  “Cecily, this is Thaddeus Jones and this…”  Half reluctant; “This is Ernest Fairfax.”

“I hope it’s not too much of a liberty,” begins Cecily, “but I asked Jack to introduce me.  Mister Fairfax, would you – could you – talk to my class?”

“Only if you can spare the time,” says Jack.  The hint of an emphasis.  “…Before you ride out.”

“Oh, Mister Fairfax, if you only could spare the time,” gushes the schoolmarm.  “I’ve been gathering all your articles for the class.  We’ve been studying them – see?”

She holds out the clippings she carries.  Heyes takes the top one and reads:
‘Fraud allegations scupper railway plans in Leadville.’

The Importance Of Being Ernest - a Calico - McCoy Production Readin10

He hands it to Curry who scans the headline.  And the next:
‘Were the title deeds forged? Magnate denies accusations.’  

‘Who will speak for the orphans?’
‘”Please don’t evict us, Mean Mister Railway-Man”’ lisps lovable little Annie.’

Both Jack and our boys have the taste to look a tad queasy at that last one.  Heyes hands the rest to his partner who gives each a quick glance.

Heyes focuses on the by-line: Ernest Fairfax.  “I wrote these??  I mean – I wrote these.”

“Yes!”  Admiration shines from Cecily’s blue eyes.  “You stood up to power.  You demonstrated what the freedom of the press can mean when wielded by a brave and persistent man.”  She lowers her lashes.  “I’ve told the children that a dedicated investigative journalist…”

“Investigative journalist,” repeats Heyes, committing it to memory.

“Impervious to corruption through bribery.  Indifferent to mere money no matter what sum he is offered…”

Larcenous brown eyes flicker.  Heyes avoids his partner’s glance.

“…Can truly be said to be one of the heroes of our great nation.”

A self-deprecating dimpled shrug from the humble one.

“So, will you talk to the children, Mister Fairfax?”

“Please – call me, Ernest.”

Her voice is reverent as she uses the hallowed name; “Ernest, will you visit the school?”

“Well, I don’t really like to talk about myself…”

Curry double takes.  The schoolmarm’s face falls.

“But, if it’s for the children…”

The focus pulls back to show Heyes and Curry following Miss Steadman up the steps to the school.



Heyes is in full flow.  The clock behind him shows 1.30pm.

The Importance Of Being Ernest - a Calico - McCoy Production Heyes_10

“Of course it was dangerous, but an – an investigative journalist can’t let a little thing like a ravenous cougar keep him from a story…”

Heyes, perched on the edge of the teacher’s desk has a captive audience.

A far from fascinated Kid Curry shifts in his inadequately sized chair.  He glances at the clock, sighs.  We can tell from his disposition that less time than he hoped has passed.

Jack, leaning against the wall on one side of the school room also checks the clock.  He looks out onto the street.  The slicker and his worrying companions are still there, engaged in conversation.



The slicker speaks, nodding toward the school house.  Heavy #1 pats the gun on his hip in reply.  Heavy #2 picks up a straw to chew.  



‘Ernest’ is still talking.

“I remember another time I was held prisoner by a notorious outlaw…”

Curry’s head snaps up.

“Who was it?” a freckled faced boy gasps.

“Black Heart Curry.”

Two blue eyes narrow on Heyes.

“He was the most dangerous man in the territory.  I‘d been riding in the hills hoping to meet up with a mountain man friend of mine who taught me tracking skills.  Back then I was Champeen tracker of all southern Utah.  But, I don’t like to talk about that…”

Jack Werthen slips unobtrusively from the schoolroom.



There is a momentary show of interest from the slicker and heavies as a slim, dark-haired figure runs down the school-house steps.  Then – recognition.  It is only Jack Werthen.  They return to ‘biding’ mode.  Jack crosses the street and enters the telegraph office.



The clock now shows 2.15pm.

“What happened when Black Heart Curry took ya captive?” a thin young boy queries.

“I knew I had to get away, couldn’t let him take me back to his hideout.  Although, being the investigative journalist I am, I knew there’d be a story in it if he did…”

A resigned Kid Curry stretches out his legs, crosses his ankles and tries to make himself comfortable.



The telegraph clerk – identifiable by the traditional green eye-shade and black sleeve protectors – scurries across from his office to that of the sheriff.

The shrewd eyes of the observant slicker follow him with mild interest.  The eyes of the two heavies follow with almost zip interest.  The gaze of Heavy #1 – our Gun-Patter - lingers on the sign saying ‘sheriff’.  His lips move – slowly.  He grimaces, then spits a Kyle-reminiscent gloop of chaw tobacco into the street.



The clock shows 2.30 pm.

Heyes drones on to the wide-eyed youngsters and their seemingly love-struck teacher.

“Anyway, I thought real hard; I’d studied that desperado Black Heart Curry’s every move and knew I had to be ready when the opportunity showed itself…”

A low, rumbling sound interrupts him.  He stops talking.  The children turn in their seats to the source of the noise.  In the back row we see Kid Curry seated, arms folded across his chest, hat low over his eyes, asleep.  

The Importance Of Being Ernest - a Calico - McCoy Production Kid_sl10



Two ex-outlaws descend the school-house steps.

“I can’t believe you fell asleep,” Heyes grumbles.

“I can’t believe I stayed awake that long.”  

Down the street Slicker reacts to the emergence of the boys.  He moves, followed by his henchmen, to intercept Heyes and Curry.

“Are you Ernest?” asks Slicker.

“I sure am,” beams Heyes, holding out one gloved hand.  “Glad to shake your…”  He tails off as no returning hand is offered.

Our boys’ expressions show they realise these are not more admiring citizens of Leadville keen to pat ‘Ernest’ on the back.

“We’d like you to come for a – a ride with us, Ernest.”

“We wanna talk to you,” growls Gun-Patter.

“Talk about what?”

“Oh, just a friendly conversation,” says Slicker.  “About things you’ve been saying.”

“There’s some questions our boss wants answerin’,” chips in Sidekick.

“Yeah, like who’s been flappin’ their mouths to ya!” contributes Gun-Patter.

He receives a version of the ‘look’ from the shrewd Slicker.  “Like I say, just some friendly questions.”  More menacingly.  “Out of town.”  Still more menacingly.  “Now.”

“Thanks for the invite – it being so friendly-like, but, I’ll pass.”  Though Heyes smiles, his eyes are cool.  “I’m kinda busy.”

“We ain’t askin’ ya.  We’re tellin’ ya!” snaps Gun-Patter.

“And he’s tellin’ you – he’s busy.”  Curry’s blue eyes hold those of Gun-Patter, steadily.

“Guess I’ll hafta persuade him then – and you!”  Gun-Patter’s hand hovers.

The Kid’s hand hovers.

Heyes’ eyes flick to his partner with the classic mix of concern and pride.

Gun-Patter narrows his eyes… His fingers tense… And…

“Mister Fairfax!”  An authoritative voice breaks the stand-off.  The sheriff strides over, clearly on a mission.

Slicker visibly braces for confrontation, then partially relaxes as it becomes clear the lawman is heading straight for Heyes.  He backs off to the boardwalk with seeming casualness.

Gun-Patter backs away more slowly.  “I’ll be talkin’ to you – to both of ya – later.”  He glowers at the Kid who returns his gaze, coolly.

Curry turns to the approaching sheriff.  He and Heyes react with some surprise and more wariness as they too realise they, alone, are Lane Butler’s target.

Heyes smiles, “Afternoon, Sheriff.”


“Somethin’ we can help you with?” Curry asks.

The sheriff clears his throat.  “I’m sorry Mister Fairfax, but I’m gonna have to lock you up.”



The cell door clangs shut and the sheriff turns the key.  He returns to his desk, leaving Curry facing his friend through the metal bars.

The eyes of both men linger for a moment on the wall behind the sheriff’s head where the traditional mosaic of wanted posters is displayed.  A tad frayed at the edges, though still prominently placed are two very familiar notices indeed.  A mute – wary – conversation.

Heyes shakes his head.  “I can’t believe this.”

“You gettin’ locked up ain’t exactly new, Heyes.”

“It was going so well.”  Heyes is genuinely confused.  “Everybody loved me.”  He grabs hold of the bars and rests his head against them.  “What went wrong?”

Curry turns to the sheriff.  “You wanna tell us again what they say he did?”

“Accused him of libel.”  The lawman does not look up from his ledger.

“Liable for what?” Curry presses.

The pen is put down.  The sheriff sits back in his chair and looks at both men.  “Means someone don’t like what Ernest wrote.  Means they think he wrote lies.”

“Who?” Heyes asks.

“Probably ol’ Oscar.  Won’t know for sure ‘til the official paperwork comes over from Bunbury Falls.”

“What did the telegram say about me?”

“Just what I told you.  Hold Ernest Fairfax on a charge of libel until further notice.  Came from Sheriff Moncrieff.  He’s a good man.  If he says to hold you, that’s what I’ll do.  Must say, though, it don’t sit too well with me, you saving so many Leadville folk from being swindled.  Even saving the orphanage an’ all.  I sure hope it’s just a misunderstanding.”

“Yeah, me too.”  Heyes sits down on the bunk.

Curry looks at his friend.  “Well, seein’ as you ain’t goin’ anywhere I reckon I’ll go get me somethin’ to eat.”


“I’m hungry.”

Heyes is swiftly on his feet.  “I’m locked up in jail and all you can think about is food?”

“No.  I was thinkin’ about havin’ a beer too.” The Kid smiles.  Heyes doesn’t.  “Might say hello to Gwen, seein’ as her hero’s in jail.”  Curry’s grin widens.  “The poor girl’s bound to need – comfortin’.”




As Curry strides toward the saloon, Cecily Steadman hurries toward him.

“Ma’am,” he tips his hat.

“I just heard what happened to Ernest.  Isn’t it terrible?”  She clutches his sleeve and looks up into his eyes.

Curry gazes back at the, undoubtedly charming, flushed face looking up at him.  “Huh?  Oh, yeah – terrible.”

“What do they say he did?”

“Said he was liable to be lyin’.”  


“Someone in Bunbury Falls accused him of tellin’ lies.”

Realisation hits Cecily.  “They’ve accused him of libel!”

“That’s right.”

“Maybe if I hadn’t delayed him at the school, he’d have ridden out before… I feel so guilty.”  She lets her head rest on Curry’s shirt front.  Her bosom heaves.

Curry pulls her – and her bosom – a little closer.  He wraps his arms around her, pats her gently on the back.  “Hey, you can’t blame yourself.”

“How can the sheriff believe such accusations?  Ernest is so clearly the – the soul of integrity.”  Her lip quivers.  “I’m sure Ernest couldn’t lie if his life depended on it, could he, Thaddeus?”

“Er… You can’t blame yourself,” Curry repeats, diplomatically. “Besides.  Libel – that’s not too serious, is it?”

“Not too serious?!”  Cecily draws back.  “It could ruin his journalistic career!”

“His career?  Well that don’t…” Kid Curry sees dawning reproach on that lovely face.  He draws Cecily close again.  “That’s terrible.”

Her voice muffled, Cecily adds, “To say nothing of the possible two year prison term…”

“That’s terrible…” murmurs Curry into the chestnut curls tickling his nose.  A blink as her words sink in.  His turn to draw back.  “Two…?  That’s terrible!  I…”  He hears footsteps behind him, turns.

Jack Werthen is hurrying over.  As the Kid moves Jack visibly registers the lovely school teacher held in his arms.  “Cecily!”  His tone acquires a shade of jealously.  “I see Thaddeus has already told you Ernest’s in jail.”

Cecily and Curry step apart.  She blushes.

“Mollie told me.  But, Thaddeus and I were discussing it, yes.”

“Looked like a pretty in-depth discussion.”

“We were saying how terrible it all is.”  Cecily clasps her hands.  “Surely, there must be something we can do to free Ernest?  Can you think of anything, Thaddeus?”

“Well, breakin’ him outta jail is gonna be kinda risky…” Curry tails off as he notes their expressions.

“I think Cecily was thinking more along the lines of organising a legal defence.”

“Yeah…” The Kid clears his throat.  “That’s what I meant.  Breakin’ him out the law abidin’ way, with a – a legal defence.”

Jack looks at the ex-outlaw, thoughtfully, a crease forming between his brows.

Curry returns the look steadily.  “I guess you know ‘Ernest’ pretty well, Jack?  After all…” With meaning.  “You’re the only man in Leadville who recognised him back in the saloon.”

A flicker in Jack’s eyes shows he takes Curry’s point.

“What kinda defence might work?  I was thinkin’…” Curry chooses his words carefully.  “Suppose the fella in jail wasn’t Ernest.  Suppose he was someone else all along – an’ you’d made a mistake?”



The Importance Of Being Ernest - a Calico - McCoy Production Heyes_12

“…The thing is, sheriff, there’s been a mistake.  Me and my friend were looking for work, just like we said.  He’s saving to get married to his sweetheart back in Red Rock.  She’s the mayor’s daughter, a lovely girl.  When everyone here started treating me like a hero, I guess I couldn’t resist going along with it.  But, believe me, I’m no hero…”  The sheriff pours two mugs of coffee and hands one to Heyes through the bars.  He is listening, he still seems friendly, but… His expression suggests he doesn’t credit a word of this modest denial.  “My name’s not really Ernest, it’s Joshua.  Joshua Smith.”


“Well, I guess everyone knew you weren’t really called Ernest …”

Heyes’ face lights up with hope.



“… Suppose I told you my friend’s name isn’t Ernest?” asks Curry.

“We know that."  Cecily is underwhelmed.  “It’s only his nom de plume.”




“We know Ernest’s only a pen name…” says the sheriff.



“We know Ernest is using an alias,” translates Jack.  As Kid Curry still looks confounded, Jack explains further.  “A false name.”

“I know what a dang alias is!” snaps Kid Curry.  His brow knits.



Heyes’ brow is also knitting.  “So you know I’m using a – a…”

“An alias?  Sure.”  The sheriff sips his coffee.  “Don’t stop you bein’ Ernest.”

Heyes leans folded arms on the bars and lets his head fall forward in – temporary – defeat.



“So, Jack, when you…” Curry’s voice holds a hint of danger.  “…Recognised ‘Ernest’, did you guess shoutin’ his name around might get him locked up?”


“Of course he didn’t!” protests Cecily.  “How can you even ask such a thing?”

Both men look at the listening school teacher.  Their frustrated expressions indicate she is very much in the way of what they want to say to each other.  A mute conversation is held.

Tiny head gesture from Jack: ‘You tell her’

Eye lift from Curry: ‘After you’


“Yes, Jack?” Cecily smiles, eagerly.

“I need to discuss Ernest’s defence with Thaddeus…”

“Of course…”  But she doesn’t move.

Jack tries again; “Man to man…”

“Yes, I think…” begins Cecily.

The Kid spits it out, “He means – without you.”

Her smile switches off.

“Because…” Jack jumps in.  “We need you to talk to all the folk in town who might be able to help.  Form a – a fund-raising committee.  In case we need to hire a lawyer for Ernest.”  Persuasively, “You’re so good at organising.  And having such a well-respected professional head the committee can only help Ernest.  Will you do it, Cecily?”

The smile returns.  “Sure, Jack.”  Off she goes.

“You think on your feet pretty fast, huh?” says Curry.

A self-deprecating shrug from Jack.

“Got a way with words too.  You remind me of…” Curry breaks off as he eyes the slim, dark-haired, brown haired young man in front of him.  Visible light dawning.  “OR did ‘Ernest’ remind you of someone?”

“Let’s go get a drink,” suggests Jack, striding off toward the saloon.  “I reckon I owe you one.”

“Reckon you owe me more’n one,” grunts Curry, following.



Curry sits with Jack in a quiet corner.  Leastways it would be quiet if…

“On the house!” beams Bill, placing a laden plate before the Kid.  “An’ you should see all the goodies Mollie’s bakin’ for poor ol’ Ernest!  An’ Sam’s put a bottle of twenty-year old malt whiskey in the basket.”

“I’m takin’ it all over later,” adds Gwen, bending over to place two foaming tankards on the table.  “Maybe Sheriff Butler’ll let me sit with him awhile.  I reckon if they put a hero like Ernest in jail, the least this town can do is let him have a few home comforts.”

Curry drags his eyes away from Gwen’s – comforts.  He removes a stray tendril of emerald feather from his lip.

Bill and Gwen leave.

“Jack,” the Kid picks a sandwich from the generous selection in front of him.  “Did you know Joshua – that’s the fella sittin’ in jail – was gonna get locked up?”  The sandwich disappears into Curry’s mouth where it receives a thorough chewing.

“Not yesterday,” says Jack.  “After I sent the telegram to make it happen today, then I had a pretty good idea.”

The chewing stops.  Kid Curry stares at Jack.  A finger points, questioningly.

“I guess you want to know why I did that.”

The Importance Of Being Ernest - a Calico - McCoy Production Kid_ea10

“Got it in one.”

“Maybe I thought ‘Ernest’ would be safer in jail.  Not out on the street getting beat on – or even shot at – by those fellas giving him trouble until the sheriff pulled him away.”

Curry thinks on that.  “Lotta truth in there.”  Chewing recommences.  “You reckon they work for this Oscar fella?”

“I’d say that’s a given.”

“Who’s a major shareholder in the railroad?”

A nod.

“An’ all riled up ‘cos ‘Ernest’ printed a bunch of lies ‘bout him…”

“Nope,” says Jack.  “He’s riled because a bunch of truth got printed.”

An accepting head jerk from Curry as he takes another sandwich.  “Sayin’ how he’d forged land claims to cheat folk outta the money the railroad owed ‘em by rights?  An’ how he was even gonna turn defenceless orphans out into the snow?”

“Leaving aside that it don’t usually snow around here before October – you’ve got the gist.”

“An’ these stories – they caused his investors to back off, an’ cost him thousands?”

“Pretty much.  Not that he’ll miss it.  Old Oscar’s near as rich as Leland Stanford.”

“Yeah, but rich folk don’t get that way through bein’ good losers where money’s concerned.”  A third sandwich heads south.  “You know that.  That’s why you needed a – a decoy Ernest.  ‘Cos…” Curry leans in, drops his already low voice still further.  “He’s you!”  

Nothing from the other side of the table.  Jack merely sips his beer.

Curry frowns, frustrated.  “Jack, you are Ernest, aren’t ya?”

“Yes, I’m completely serious,” deadpans Jack.

He receives the look.

“Sorry,” Jack grins.  “I couldn’t resist that one.”  Leaning forward himself, “Thaddeus, the identity of Ernest is secret.  Can you keep a secret?”

Curry nods.

Jack beckons him still closer, until the ex-outlaw’s ear is within inches of his lips.  “So can I.”

Curry straightens.  Again with the look.

“But,” says Jack, “if I were – just hypothetically – the man who penned all those articles, I’d admit I owe it to Joshua Smith to try and help him out of trouble.”

“After droppin’ him in trouble to save your own skin.”

“And the skins of the folk over in Bunbury Falls who helped Ernest get his facts.  Since – whoever Ernest is or is not - the newspaper office is the first place Oscar’s men’d look for him.  And I work there.”  He sips his beer.  “I’m not much use with my fists, Thaddeus, and I don’t carry a gun.  Just because Ernest was willing to risk getting hurt to save the folks of Leadville and those orphans – it doesn’t mean he wants to get hurt.  You and Joshua looked – well, likely to at least come out of a fight in one piece.”

Curry thinks on that.  “Okay. But how are you plannin’ to help Joshua now?”


Hannibal Heyes and Kid Curry, the two most successful outlaws in the history of the west. And in all the trains and banks they robbed, they never shot anyone.

Last edited by royannahuggins on Sat 07 Mar 2015, 10:56 am; edited 2 times in total
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Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Sat 07 Mar 2015, 10:15 am by royannahuggins

Gwen, all gussied up, bustle a-bouncing, heads for the jail.  A basket covered with a gaily coloured silk scarf hangs over one arm.  A bottle of whiskey pokes from one end.

From the opposite direction comes Cecily.  Her basket is covered with gingham and the emerging beverage is lemonade.

As they approach the step up to the jail, the expressions on the gals’ faces suggest they realise all too well they are on the same mission and bearing strikingly similar gifts.  



Gwen and Cecily stand before the sheriff’s desk.  Hands on hips, they glare at each other like cats from whom a prize pilchard has been filched.

“Rules are rules,” says Sheriff Butler.  “Only one visitor IN the cell at a time.  You ladies’ll hafta take…”

“If I may speak candidly, Sheriff...” interrupts Cecily.

“Candidly?  What is this?  Big word day?” asks Gwen.

In the background, Heyes, grips the cell bars, his head swivelling from one gal to the other.  “It means – y’know – blunt.  No sugar coating,” he offers.

Eyes locked, neither woman glances at the ex-outlaw.

“You don’t need to sugar coat nothin’ for me, Miss Prissy!”

“It is quite clear, Sheriff, that this – this person is of questionable morals.  One only has to look at her tasteless, garish outfit, which would look dreadful even if she had the figure for it.”

“At least I have a figure!  I’ve seen planks o’ wood with more curves than you!”

Heyes swallows.

“What possible interest could a man like Ernest Fairfax – who is the very epitome of upright probity…”

“Well, he was probin’ upright last night, that’s for sure.”  

The sheriff stares over at Heyes, who hangs his head.

“Have in a woman such as…?” Cecily registers what she just heard.  “How dare you impugn Ernest’s principles?”

“I’ve done more’n im-pune ‘em!”

With a disgusted flounce, Cecily turns to the lawman.  “Sheriff, I’m a great admirer of Ernest Fairfax!”

“Well, Miss Prude, last night he was a great admirer of mine!”

“To say nothing of being chairwoman of the newly-formed ‘Free Ernest’ committee…”

“Ladies, ladies.”  The sheriff makes a quelling motion with his hands.  “Why don’t we let Ernest decide?”  

Both women glower at each other, then turn to the cell with smiles of the greatest sweetness.

Heyes looks from one lovely face to the other, then stares at Sheriff Butler in utter horror.  



“Remember, Ernest is not guilty of libel – the articles weren’t lies.  All that’s needed is for him to stand trial and be fully vindicated,” says Jack.

Curry’s expression shows he does not like the sound of Heyes’ standing trial one bit.  But, before he can speak, his attention is caught by the swinging of batwing doors.  The Slicker enters, searches for and spots Curry.  He swaggers over, Gun-Patter in tow.

Curry and Jack get to their feet.

Gun-Patter speaks first.  “I see you got the sheriff to hide that liar in jail ‘cos he’s too yella to face me.  That won’t save him!”

“Finn,” protests Slicker.  “That was rude.  I told you, all we came in for was a friendly word.”  To Curry; “I apologise for Finn.  He has no manners at all.”

“Uh huh,” grunts Curry.  A pause.  “This friendly word you wanted – say it, then I can get back to my beer.”

“Well…” Slicker points at Finn. “It was what he said, but…”  A suave smile.  “I was going to phrase it so much better.  Then I was going to add a friendly warning that if Ernest doesn’t want to spend two years in the state penitentiary, he’d better tell us who fed him all those – lies – about my employer.”

“He won’t spend any time there, because there were no lies and he won’t be convicted,” says Jack, stoutly.

Slicker raises a cynical eyebrow.

“No jury can convict for libel if what gets printed is the truth and in the public interest,” asserts Jack.  “Any decent lawyer will be able to establish both apply.  No jury will convict Ernest.”

Slicker laughs, mirthlessly.  “What a decent lawyer can establish is nothing beside what crooked lawyers can prove if they’re clever enough!  Clever lawyers are for sale to the highest bidder.  So are judges.  So are juries.  And in this case, we all know the highest bidder will be Oscar Harlingen.”  

Kid Curry’s face freezes at the name.  Jack notes his reaction.

“Tell Ernest, when Mister Harlingen gets here…”

“He’s coming to Leadville?” cuts in Jack.

“We’ve just had a telegram, he’ll be here day after tomorrow.  And you’ll soon find out, he may play poker for only one hundred chips per penny, but he sure doesn’t like to lose and he’s willing to spend anything it takes not to.  Like I said, just a friendly warning.”

With that, Slicker wheels around and strides out.  After a final glower at Curry, so does Gun-Patter.



Curry and Jack enter and speak to the sheriff.  He looks thoughtful, then nods.  The Kid hands over his gun to be locked in the safe.  Both men are patted down – a shade perfunctorily.

The camera pans left to the cell door.  The sheriff unlocks it and beckons to someone inside.

The camera pans further left to the bunk.  A pouting Gwen gets off Heyes’ lap, puts down the grapes with which she has been feeding him and flounces out of the cell.  The door is locked behind her and the keys also locked in the safe.  

The sheriff, ushering a reluctant Gwen before him, leaves his office.



All three men are at the bars – though only one peers through them.

The Importance Of Being Ernest - a Calico - McCoy Production Heyes_13

“You let me be Ernest to save your own skin!”  An indignant Heyes glowers at Jack.

“You said you were only passing through.  I didn’t expect you to wait around and…”

“And milk it like a prize cow,” finishes Kid Curry.

Heyes transfers the glower to his partner.  “As for you, sitting drinking beer while your partner languishes behind bars…”

Curry’s gaze rests, pointedly, on the bunk.  An abandoned emerald green boa adorns the pillow.  Two – count them – two well-stocked picnic baskets sit on the blanket.  An open bottle of whiskey pokes from one, an unopened bottle of lemonade from the other.

“I can see jail’s been hard on ya.”

“To top it all…” Apparently Heyes has not finished grumbling yet.  “You tell me this Oscar fella I’m supposed to have badmouthed is not only on his way to gloat in person, but is Oscar Harlingen.”

“Look on the bright side,” says Curry, “if someone’s gonna get badmouthed – it couldn’t happen to a better man.”

Heyes breathes heavily.  “While I’m this side of the bars, there isn’t a bright side.”

“How come you know Old Oscar anyhow?” Jack asks.

“We met on a train…” says Heyes.  “There was a – a misunderstanding.”

“About a handbag,” adds Curry, helpfully.

“A handbag?!”

The Importance Of Being Ernest - a Calico - McCoy Production Carpet10

“It doesn’t matter how we know him,” says Heyes.  “It only matters that we do.”

“But, why is it a problem?  If Harlingen knows Joshua – he knows he’s not Ernest.  He knows who you really are.”

A pair of blue and a pair of brown eyes slide to the wanted posters on the wall.  They exchange a mute conversation.  

Jack’s gaze follows theirs.  The thoughtful crease reappears between his brows. “Surely that’s a good thing?”  He glances away, perhaps to hide the curiosity playing across his clever face.

“You’d think so,” sighs Curry.

He receives a warning look from his partner.  “Let’s just say our last meeting wasn’t a friendly one,” Heyes informs Jack.



Jack exits.  As he walks toward his newspaper office, he encounters a disconsolate school teacher.

“Cecily, what’s wrong?”

“It’s Ernest… Oh, Jack,” she sniffs.

With great presence of mind, Jack takes her in a comforting embrace.  “Hey, we’ll think of some way to get him out of…”

“It’s not that!  He chose that – that floozy over me!  Why would he do that?”

“Never mind,” he soothes.  “It’s his loss!”

“What has she got that I haven’t?”

“I guess it could be a couple of things… I mean, nothing.  Nothing at all.”  He pats her gently.  “We still owe Ernest all our efforts to free him.  After all, he did save the town.  And the orphanage.  Liking the company of – well, soiled doves – doesn’t stop him being a great man.”

“I suppose not…”  Cecily does not sound too sure.

“Perhaps he chose Gwen for – for journalistic reasons?”

Cecily’s brow puckers.  “Perhaps.”  More cheerfully, “Do you think he wants to explore fallen women?”

Jack hesitates.  Tentatively, “I think he’s working on it.”

“As a topic for an article I mean,” adds Cecily.

Jack relaxes.  “I’m sure that’s it!” he beams.



The boys are alone.

“I’d prefer not to have to face Harlingen again,” says Heyes.  “Besides just ‘cos he knows I’m not Ernest Fairfax…”

“Or even Joshua Smith.”

“It doesn’t mean he knows I didn’t write the articles.”

“I reckon he can be pretty dang sure, Heyes.”

“I could have written them.”

Curry gives his partner the look.

“I got a silver tongue – why not a silver pen?”

More look.

“Okay,” admits Heyes.  “He’ll know I never wrote them.  I still reckon tangling with Harlingen again would be a mistake.”

“We do know his secret – those smuggled jewels.”

Brown eyes meet blue.

“We do,” mulls Heyes.  “We could tell.”

“But if we tell, he’ll tell…” says the Kid.  “So do we tell him we won’t tell?”

“Or that we will tell, even though we won’t.”

“But he knows he can tell even if we don’t tell…”

“Folk’ll think he made it up ‘cos of all the things we can tell.”

“But we can’t tell.”

“He can’t be sure we won’t tell, even though he thinks we won’t, he’ll have to…”

“Huh?”  Curry shakes his head, starts again.  “Nah, Heyes, he knows we can’t tell.”

Heyes starts to pace.  “He probably knows we probably won’t.  But he can’t be sure that, even if we probably won’t, there’s no possibility that we certainly will.  And unless he can be certain there’s no possibility that we will – there has to be some probability we just might.  That’s the law of probability – there being a formula for everything.”  Pace.  Pace.  Frown.  He stops, faces his partner.  “D’you know what I think, Kid?”

“I don’t even know what ya said.”

“Calculating on Harlingen either way – it’s too risky.  We’re gonna have to break out of jail.”

“We ain’t in jail, Heyes.  You are.”

“You wanna join me.  I can arrange that!”

“You got your lock pick?”

“Of course.  They didn’t think Ernest would have anything hidden in his boots.”

Heyes rummages in his left boot.  Frowning.  He pulls it off, shakes it.  A small metal object falls to the floor, spins, lays still.

“I reckon it’s dead, Heyes,” deadpans the Kid.  He receives a look.



Heyes is out of the cell and now squats beside the safe in which Curry’s gun is deposited.

“I guess we need a distraction,” says Curry, who is – though gun-free – keeping his usual lookout with door and window in view.

“From what?  This won’t take me more’n another…”  Heyes breaks off, delight dimpling his face as the safe door swings open.  Heyes passes the Colt to Curry, who checks and spins the barrel, then holsters the weapon with a flourish.  “Now, we just…”  After holstering his own gun, Heyes’ slim fingers mime running.  “The sheriff’s not exactly keeping Ernest the Hero under close guard.”

“The sheriff ain’t but… Take a look outta the window, Heyes.”

Heyes stands against the wall beside the window and, keeping well back, looks out.  A good two hundred yards or so away, but still plain as day, Slicker, Sidekick and Gun-Patter watch the jail.

Curry steps forward to join his partner.  Both ex-outlaws gaze, glumly, at the obstacle to the easiest jail break ever, waiting down the street.  Two pairs of shoulders slump.

“I reckon they’re takin’ turns,” says Curry.

“I reckon you’re right,” comes a deep voice from behind them.  The sound of a hammer cocking.

Heyes’ and Curry’s heads turn in unison.  

The outer door has opened, silently.  There stands Sheriff Lane Butler, weapon drawn.  He is flanked by Cecily – mouth open in surprise, and Jack – whose wry smile indicates he is not entirely surprised.

They enter.  The door closes.

“Guns to the floor, boys.  Two fingers of your left hand – real slow.”  Sheriff Butler is business-like, but not hostile.  “Kick ‘em toward me.  I reckon you know the drill.”

Heyes and Curry comply.  The sheriff motions Jack to collect the weapons.

“Sheriff,” Heyes begins.  “This isn’t what it looks like…”

“It looks like you picked the lock, cracked my safe and are all set to break jail.”

A mute conversation between our boys.

“Okay, it is what it looks like,” accepts Heyes.  “But, the thing is, I’m not Ernest…”

“You’re not Ernest?” repeats Cecily, incredulous.

“I never was Ernest.  I never wrote those articles.”

“He never wrote nothin’,” Curry confirms.

“But, all those stories you told me and the children…?”

“He made ‘em all up.”  Curry is keen to be absolutely clear.  “He’s all mouth.”

Heyes scowls at him, then returns his attention to Sheriff Butler.  “I needed to get outta jail, ‘cos after letting folk think I was Ernest – it was gonna be hard to prove I wasn’t.”

“If you two can pick locks and crack safes…”  The sheriff’s gaze moves from one ex-outlaw face to the other.  “I’m guessing proving Joshua Smith and Ernest ain’t one and the same mighta risked proving Joshua Smith don’t exist.”

A pause.  Our boys’ faces set.  They do not risk exchanging a glance.

“Not that I wanna get too curious about that,” adds Lane Butler.  “I kinda like you two boys.  And while I hafta stick to the law an’ put ‘Ernest’ back in jail – it sure don’t sit well with me doin’ it for a snake like Oscar Harlingen.”

Curry eyes Jack.  “The best thing all ‘round could be if the real Ernest steps up to the plate.”

Jack returns the look.  One eyebrow lifts.

“I reckon it’d be worth it – just to see the look on his gal’s face when she finds out,” tempts Heyes.

Light visibly dawns for Sheriff Butler.  He stares, half-disbelieving, wholly admiringly, at Jack.

Cecily’s mouth falls open as she looks from Curry, to Heyes, to Jack.

“Jack, do they mean…?  Are you Ernest?”  Hurt.  “Why didn’t you tell me?”

“This past week, anyone knowing who Ernest is might not have been safe.”

Cecily thinks on that.  Touched: “Oh, Jack…”  Then.  “Ernest, I think you’re wonderful.”

“Joshua,” Jack’s voice is wry, “while being told how wonderful he is can tempt a man…”  Heyes gives an acknowledging shrug, “Ernest – whoever he is – might want to think on it some, before ‘stepping up to the plate’.”

Kid Curry hooks his thumbs into his belt, opens his mouth and…

“Just in case anyone is thinking they might push Ernest onto the plate,” forestalls Jack.  “Let me point out that, despite needing eye-glasses, I can see what’s right in front of my nose.”  He focuses, momentarily, on the notice posted about two feet to the left of Kid Curry, then smiles blandly at the five-foot eleven, blond-haired, blue-eyed original of its text.

The Kid shuts his mouth.

“Let me think…” mutters Jack.  To Heyes: “Feel free to help out, because what we need is a plan.”  He begins to pace.

“Some way for an Ernest to come forward – without getting beat to a pulp…” muses Heyes.  He paces too.  They cross at right angles.

Jack: “If Ernest comes forward, the sheriff has to lock him up.  He has no choice…”

Heyes: “Anyone would want to be a hero.  Ernest is a hero.  But…”

Jack: “Ernest wants to come forward.  If only it didn’t play into Old Oscar’s hands …”

Lane Butler steps over to Curry.  “Is this goin’ anywhere, son?” he mutters in an undertone.

“Let ‘em think.  I reckon that’s what they’re both good at,” responds the Kid.

Heyes stops dead.  “What I just said: Anyone would want to be Ernest.  I wanted to be Ernest.  You want to be Ernest.  That’s two.  Last night, Thaddeus was real proddy I was Ernest instead of him.  That’s three.”

Jack stops dead too.  “If three – why not four, or five, or...?”

“Don’t this whole town want to be Ernest?”

Two pairs of dark eyes meet.  Two faces grin the grin of the smug.

“I take it you got a plan?” asks Curry.

Two nods.

“Is it legal?” asks Lane Butler.

“Of course!” protests Heyes.

“It’s not illegal – much,” amends Jack.  “Not for you, anyhow, Sheriff.  You just do the right thing.”

“Which is?”

“First, you lock me back up,” says Heyes.

“Fine with me so far.”

“Next, you wait outside your office, watching for trouble…” says Jack.


“Meanwhile…” Heyes gestures for everyone to move closer.  

The five-some form a huddle.

The sound lowers.  We see, but do not hear, eager explanation from Heyes and Jack.

At one point, Cecily covers her mouth to stifle a giggle.  At another, Curry rolls his eyes.  The sheriff scratches his grizzled head and purses his lips, doubtfully.

The huddle breaks.  The sound comes up.

“That,” sighs the sheriff, “has to be the dumbest plan ever.”

“Nah,” says Curry.  “It ain’t even close.”  He sets his shoulders.  “It might even work.”

Lane Butler shrugs, resignedly and relocks a beaming Heyes in the cell.

“See you in about an hour,” Jack calls as he, the sheriff, Cecily and Curry all exit.  



The sheriff, Jack, Cecily and Curry emerge.

From his surveillance point, Slicker straightens, scans them – and relaxes at the absence of Ernest.

He watches, ever-vigilant, as the sheriff seats himself outside his office, tipping his hat to shade his eyes from the late afternoon sun.

He watches as Curry strides over to the saloon.

He watches as Cecily ties her bonnet strings and heads to the general store.

He watches as Jack heads up Main Street in the direction of the busy lumber mill.

He purses his lips in thought.  He shrugs.  Beside him, Gun-Patter, whose eyes stray back to the sheriff’s badge, spits.



The sheriff is still outside his office.  He pulls out his pocket watch.  “Anytime now…” he murmurs to himself.

Sure enough, Jack strides up the street.

The watching Slicker perks up.

“Sheriff,” announces Jack, good and loud.  “I can’t let an innocent man take the blame for my deeds.  I want to confess – I’m Ernest!”

Slicker snaps to full attention.  So does Gun-Patter.

“Sheriff…” The bartender hurries from the saloon.  “I want to confess.  I’m Ernest – lock me up.”

Slicker double takes.

“I’m Ernest,” shouts Bill.  “I can’t live with the guilt of that poor man bein’ in jail while I go free.”

“Nah,” calls Algy.  “I’m Ernest!”

Slicker triple takes.  

Other men now come from all directions.

Telegraph clerk: “I’m Ernest!”
Storekeeper: “I’m Ernest!”
Undertaker: “I’m Ernest!”
Barber: “I’m Ernest!”
Reverend: “I’m Ernest!”
Lumber mill hunk:   “I’m Ernest – and so’s my brother Pete!”  

Cecily: “I’m Ernest!  In print no one knows if you’re a woman or a man!”
Gwen: “I’m Ernest!  Like she said!”

“I’m Ernest!”
“Nah, I’m Ernest!”
“I’m Ernest!”

“I’m Ernest!” shouts Heyes, joyfully, through his bars.  “I’m Ernest!”

“I’m Ernest!” hollers a grinning Kid Curry, outside the saloon.  He toasts the baying crowd with his beer glass.  “I’m ERNEST!”

“I’m Ernest!” shouts a confused Heavy #2.  Slicker stares at him in total disbelief and cuffs him soundly.



The cell heaves with happy humanity.

“You’re all gonna stay here ‘til we sort out who’s Ernest,” says the sheriff.

“I’m Ernest!”
“I’m Ernest!”

“Do any of you lady Ernests need – y’know – facilities before I lock up?”

“I’m Ernest!”

“Maggie?  What the Sam Hill are you doin’…?  Come outta there!”

“Just ‘cos I’m your wife, Lane Butler, don’t mean I can’t be Ernest!”

“She’s not Ernest, I’m Ernest!”

“Oh, for Pete’s sake.”

The sheriff locks the door and returns to his desk.  Beside it stands a furious Slicker.

“How did you get left out?  Into the cell you go, Ernest.”

“I’m NOT Ernest,” fumes Slicker.

“You’re the only one who ain’t,” remarks the sheriff.

From the cell:
“I’m Ernest.”
“I’m Ernest!”

“This…” Slicker gestures at the multiple grinning faces, peering through the bars of the heaving cell.  “Is ridiculous!”

“It meets the letter of the law though,” says Lane Butler.  “Sheriff Moncrieff’s telegram said to hold anyone suspected of or admittin’ to bein’ Ernest Fairfax…”

“I’m Ernest!”
“I’m Ernest!”

“That’s what I’m doin’.”

“Where’s the real Ernest?” seethes Slicker.

“I’m Ernest!”  Algy waves frantically in his face.

Slicker grasps the bars.  His eyes search in vain.  He cannot locate Heyes.  Nor, indeed, Curry.

“I’m Ernest!”  Gwen tugs at his sleeve.  He brushes her off, angrily.

“You can’t hold them all in there all night,” he protests to the sheriff.

“I can if I choose,” says the sheriff, coolly.  “But likely, after doin’ the proper paperwork, I may designate the school – or any town buildin’ I deem fittin’ – to be a temporary cell and move some of ‘em out.”  Even more coolly.  “I don’t see it’s any business of yours.  So, unless you want to be locked up for wastin’ my time – the saloon ice-house might make a good designated temporary cell for you – I suggest you get outta my office.  I’ve got Ernests to record.”  He opens his ledger and picks up a pen.

Frustration plays across the slicker’s face.  He scowls once more at the cell.

“I’m Ernest!”
“I’m Ernest!”

Still no sign of Heyes or Curry.

Slicker meets the determined eyes of the sheriff.  He folds.  Still simmering, he stomps out.

A pause.

The camera zooms into the cell.  There is Heyes!  And there’s Curry.  Both are carefully surrounded by a tight circle of six foot plus cowpokes and lumber hands, who are in turn surrounded by arm-waving, bouncing, deliberately diversionary Ernests.

“Has he gone?” whispers Heyes.

“Yeah,” replies a towering, though kindly, sawyer.  He pulls something from beneath his jacket.  “Here’s ya new shirt…”  A loudly checked garment is handed over.

“An’ here’s your pants,” calls Gwen, producing a striped pair from beneath her skirts.  To Curry: “I brung a pair for you too, Thaddeus.”

“Take my hat,” Bill says to Heyes.

“An’ you can have mine,” Algy offers Curry.

“And I…” says the little barber, his parting immaculate in his deeply dyed and well-oiled hair, “Have brought you these.”  From beneath his snowy apron, two wigs are produced and passed to our boys.  “And…” With a grin of triumph, he flourishes false beards.

Amidst a hum of voices and intermittent cries of ‘I’m Ernest!’ we see Heyes and Curry, their modesty preserved – well, almost – by their tall guardians, begin to change clothes.



The sheriff, watched by a still fuming Slicker and Gun-Patter, escorts his highly co-operative Ernests to their temporary cells.

“Lady Ernests, you’ll be confined in the school house on your own recognizances.  All you male Ernests, you’re in the saloon.  Over you go.  Keep in line there.  Well, if you didn’t wanna go to the saloon, you shouldn’ta confessed, Reverend.  Do you wanna tell me you’re not Ernest?”

“Oh, no,” demurs the mild-featured cleric.  “I’m definitely Ernest.”

“No, I’m Ernest!”

“One night in there won’t hurt ya.  Tell you what, you can hold a service.”

Slicker searches the milling Ernests for Heyes and Curry.  No joy.

Seen from the back, a certain blue-eyed Ernest sporting a bushy black beard has a familiar swagger.  Another Ernest with impressive red whiskers has a strut which rings a faint bell.

But, no Curry.  No Heyes.  Honest.



Sidekick is seated on the boardwalk, arms folded, booted feet crossed on the rail, clearly on watch.  Except…


A cock crow indicates it is not too far after the crack of dawn.

Cecily Steadman, yawning and stretching, warily exits the schoolhouse.  She sees the somnolent guard, rolls her eyes.  With a grin she grasps the rope of the bell and…


Sidekick splutters awake.  


The sheriff comes out of the saloon, still pinning on his star.  With a crack of laughter he watches Sidekick’s chair legs slide forward and the butt of the sub-standard guard bump to the floor.


Orderly groups of female Ernests file down the school steps.


Less orderly male Ernests emerge from the saloon.  Many are bleary-eyed as if they have indulged in a few too many beers.  Suspenders are hitched over shoulders.  Shirts are tucked into pants.  Stubbly chins are scratched.

Sidekick sets off at a trot.  “Boss!  Finn!  They’re movin’!”



Under the direction of the sheriff several male Ernests hitch a couple of wagons.

Four wagons are already fully laden with libel suspects.

Slicker and Gun-Patter are scanning faces as well as they can given that, wherever they look, eager self-accusers bounce up like groundhogs with plenty of waving arms to attract attention to their chirping intermittent chorus of:
“I’m Ernest!”
“I’m Ernest!”

“You folks might think this is all a joke,” shouts Slicker, “but I hope you all know you’ll be prosecuted for wastin’ the law’s time.”

“I’m Ernest!”

“Sure we know,” calls Gwen.  “I’m Ernest.”

“He’s right!” calls the sheriff.  “Anyone makin’ a false confession better get outta the wagon now, because – all of you who ain’t Ernest – you’re all gonna get fined…”

Slicker grins.

“…Five dollars apiece!”

Slicker’s face falls.

“The town committee has decided any fines levied will go to the orphanage fund,” Cecily tells the crestfallen Slicker.  She nestles a little closer to Jack, who has his arm comfortably around her.  “By the way – I’m Ernest!”

“Ernest, will you marry me?” asks Jack.

“Do you mean it?”

“Of course I mean it.  I am always – Ernest.”

“Then, yes.  I always meant to marry you – Ernest.”

They nuzzle.

Slicker’s face twists in frustration.  “Are you done in there, Hank?” he hollers, above the confessional din.

Heavy Two emerges from the schoolhouse.  “No one left in there, boss,” he reports.

A downcast Sidekick trails out of the saloon.  “Empty,” he shouts.  “They gotta be out here!”

Sheriff Lane Butler swings himself into his saddle.  “Let’s roll,” he tells his Ernests.  “An’ I don’t want a speck of trouble outta none of you prisoners!”

Reluctantly Slicker mounts his own horse and follows on horseback.  At his signal, Sidekick, Gun-Patter and Heavy #2 follow suit.

The party leaves town.  


The wind stirs the dust in the empty street.




A spilt drink on a table drips – drip – drip – drip to the floor.

The camera moves to a storeroom, behind the counter.

Nothing much.  Crates.  Barrels.  A busy spider weaving her web.


One barrel containing – apparently – apples, appears to shudder.   An apple falls to the floor, rolls away.  Then two, four, a dozen.  A blond ex-outlaw uncurls, cautiously.  He holds a tray upon which the layers of apples rested, above his head.  All clear.  He tosses the tray aside and taps the barrel beside him.

Scattering dried beans to the left and right, Hannibal Heyes emerges.



Kid Curry pats his horse’s neck and gathers the reins in one hand.  Heyes tightens the girth of his mount.  The two ex-outlaws pull themselves into their saddles.  They face each other.

“I still can’t believe you left me in jail, while you went to the saloon,” Heyes grumbles.

“Hey, I did all I could for ya.”

“Yeah, after making sure you had a full stomach.”

“A man’s gotta eat, Heyes.  Besides, I knew it’d all work out.  What with you havin’ the whole town on your side.”

“You still left me.”

Curry turns his horse away from the buildings.  “You know, Heyes, you’re takin’ this all far too seriously.”

“You’re probably right.  After all, I’ve now learned the importance of NOT being Ernest.”

Curry gives him a look.

Heyes smiles, flicks the reins and rides swiftly out of town. With a shake of his head, Curry follows.
The Importance Of Being Ernest - a Calico - McCoy Production Riding10


(Writers love feedback!  You can comment on Calico and Maz McCoy's story by clicking the "post reply" button, found at the bottom left side of your screen.  You don't have to be a member of this site and you can be anonymous.)
A co-written story by Calico and Maz McCoy?!? affraid

What an awesome job! Loved how quickly Heyes turned into Earnest and the Kid became Earnest's sidekick. They had some great benefits being Earnest - bet they didn't think about the bad side of it. Great lines when the sheriff caught them escaping! And what a Heyes plan!!! Great story to kick off the 2015 season - THANK YOU for writing!
Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Sat 07 Mar 2015, 9:04 pm by The Thawing RosieAnnie
When I heard that Mistress Maz and Calico the Cat were going to collaborate, I knew something special was coming. I envision the first conversation: One says, I thought we'd borrow from Oscar Wilde, and the other said, I was thinking more of Roman legions and slave rebellions. Of course, you two made it work.
Our boys, especially Heyes, just can't walk away from a good thing, can they? Milk it and milk it and maybe milk it some more, when really, they should be maybe just a little suspicious and question why the real Ernest didn't show up to accept all the congratulations. Too much of a good thing is not necessarily a good thing!

Terrific story, ladies! Thank you!

goodjob clap clap goodjob
Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Sat 07 Mar 2015, 9:37 pm by aliasfluffyone
Enjoyed reading and especially all the Ernests. :)
happy  What an awesome way to start out the new Virtual Season! clap

I shall be very earnest in my praise for both writers. The two of you did a great job and created a very fun read from start to finish.

It was easy to visualize Heyes and Kid in a situation similar to this and I loved all the fun lines throughout the whole story.

Lana Coombe
Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Sun 08 Mar 2015, 11:31 am by Lana Coombe
What a treat! A winning combination - Heyes and Curry/Calico and McCoy. clap genius goodone
Hanna Heyes
What a great plot. I loved it! Of course Heyes would milk the admiration as much as he could, even if it wasn't for him. Great job ladies!
Well done! I enjoyed reading this, lots of chuckling as the plot developed, everyone wants to be Earnest! clap
Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Fri 13 Mar 2015, 10:14 am by InsideOutlaw
Absolutely hilarious! I could almost hear the dialogue throughout and easily picture the action. Love Heyes' ego tripping him up and the enthusiasm of the entire town turning 'Earnest'. Love, too, Heyes choosing Gwen to provide solace (an obvious choice for an ex-outlaw). You two write so well together and always offer up something fun and fresh. Thank you both!!
Post Thu 19 Mar 2015, 11:48 pm by littlebluestem
Loved it from start to finish! I could absolutely see and hear this episode in my mind. Well-done. ladies! clap
CD Roberts
A very very funny story! And so earnestly, yet wildly, written. (Yeah I know, you two already beat me to those). A nice , fast pace and hilarious dialog, with all those lovely characters. Good touch, throwing in Heyes old excuses(my friend's getting married etc.) and some cool dialog that is uniquely your own as in the 'tell' exchange. Lots of excellent fun!goodone

I must apologize-this is one of two stories I thought I had commented on-as I read them weeks ago! Obviously the brain synapses suffered a fault.
Ghislaine Emrys
Re: The Importance Of Being Ernest - a Calico - McCoy Production
Post Sun 26 Jul 2015, 3:16 am by Ghislaine Emrys
Finally getting started on this season!  :-)  What a wonderful season opener!  Love the banter, the plot is great (who doesn't love the original), and a great tie-in to an episode.  So many good scenes; one of my favorite was the one about the reverend not wanting to going into the saloon and sheriff telling him to hold a service there to make him feel better about it.  Hope to see lots more collaboration from you two -- you make good writing partners!

The Importance Of Being Ernest - a Calico - McCoy Production

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